eval(ez_write_tag([[728,90],'35mmc_com-box-3','ezslot_10',179,'0','0'])); Please note that movie films must go to a lab that can handle Remjet backed films, most labs will refuse, or you can easily process it yourself. I saw a video where the guy was using a wet microfiber cloth to remove the remjet.
The films were processed at two different UK labs, one roll was put through ECN2, the others C41, then high res scanned. In my testing there is a strong blue cast on the images that is incredibly hard to deal with in post. A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. If you choose to not order a negative return, your negatives will be safely destroyed after two months.
The sprocket holes are a slightly different shape and there are no exposure numbers on the edges of the film strip. Discussion in 'Color: Film, Paper, and Chemistry' started by Eric Rose, Oct 26, 2018. untouched kodak vision3 for 35mm photographers. Find out more about 35mmc here. The C41 processed film has more contrast but with no detrimental effect and colours are natural. With your thumb, gently rub the non-emulsion side of your film as you remove it from your film reel. Kodak Vision 3 5219 is a high-speed tungsten-balanced film with fine grain structure, great tonality and wide dynamic range. I’ll have another go at scanning and let you know. Exposed at EI800 with an 85B filter for exteriors and processed in C41. Serv.
free bleach bypass push & pull processing option. A little bit of Hollywood in your 35mm still camera? SO yeah, not intended for prints!
Our film is purchased fresh and direct from Eastman Kodak USA. Hi Terry, this film is the negative stock used in the movie cameras on location. eval(ez_write_tag([[580,400],'35mmc_com-medrectangle-3','ezslot_9',180,'0','0'])); It became apparent that the speed of EI250 was too high for the film, it does not like underexposure in ECN2.
free xpan and panorama option. Alternatively, please feel free to chuck a few pennies in the tip jar via Ko-fi: Learn about where yout money goes here. Aaron Jacobsen, Alexander Schuchmann, Ben Bernschneider, David Daub, Denis Guth, Dumas Haddad, Eben Massari, Eduardas Afanasjevas, Hagen Wagner, Harry Hitchens, Jan Prahl, Jérémie Kaiser, Julia König, Julius Pfeiffer, Kane Holz, Kyrill Ahlvers, Lena Krenz, Maarten Groen, Malte Grüner, Marvin Schatz, Matej Milenkovic, Mathieu Maury, Matija Munjiza Petrović, Maximilian Rempe, Michael Colella, Miguel Fernandes Ferreira, Mischa Meyer, Moritz Matlik, Moritz Plingen, Nils Hansen, Nils Eberwein, Oliver Rautner, Paul Quednau, Robin Schimko, Ronan Nissenbaum, Seckin Sinan Isik, Stefanie Soho, Stuart Allan, Tim Adorf, Tim Kläser, Timo Rud, Tobias Ade, Tobias Schult,Tobias Schnorpfeil, Zoe Paula.
Saw a review on Emulsion. SILBERSALZ35 is designed to be processed in True Cinefilm ECN-2 chemicals only. Alternatively, for as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. Have you tried scanning the negatives yourself?
Kodak VISION3 500T is a high-speed, tungsten-balanced movie film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 500-speed index. DO NOT BRING THIS FILM to a commercial lab or think you can "slip it through" - it will severely mess up their machines!!!! Just curious how messy it is? ALL PRICES IN EURO INCLUDING TAX. For best results your film should be stored in the fridge and shot within 6 months. Yes Kodak 5207 is a fine material. Notify me of follow-up comments by email.
“We are filmmakers.With SILBERSALZ35 our mission isto share our vision, know-how and toolswith everyone in love with film.“, Our Service team is available via mail only!
Weird results! The films were processed at two different UK labs, one roll was put through ECN2, the others C41, then high res scanned. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high-contrast outdoor lighting to mixed interior light situations.
After your Blix, rinse your film in a half bucket of hot water (80 - 102 degrees F). additional service runs available . My choice of process is therefore C41.
A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Hang your film to dry and then scan!
- Kodak's color motion picture films have an additional layer (on the shiny, not the emulsion side) called a "Rem Jet". As part of the VISION3 series of movie films, this stock has high archival stability and is well suited to digital post-production processes. true cinefilm ecn-2 processing included. The underexposed images shot look no different from those at EI250. Honestly, are there significant real world differences between any other quality color neg film and ECN films?
Deal. We scan pictures up to 20-perf. includes cinefilm 4k scanning. For as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. The cathedral interior and person in the train images are very grainy, yet the robot and boat, exposed at EI125 exhibit fine grain. free xpan and panorama option. What commercial lab will process my negs, scan and or print for me? Would like to write for 35mmc? Careful not to scratch the emulsion of your film. You can order the negative return right after we received your films back for processing and again after scanning.
Would you like to write for 35mmc?
The email address you entered was an invalid email. Welcome to the Film Photography Project Store. free 16bit and raw image delivery. In the movie industry, isn’t it used to make the positives for the cinema releases? 35mm Color Bulk Roll (100 ft) - Kodak LOW ISO Color, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 200T, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 500T, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 50D, 35mm Vision 3 Film - Kodak Vision3 200T (1 Roll), 35mm Color Bulk Roll (100 ft) - Kodak Vision3 250D. After soaking the backing sloughs off the film into a sticky mess.
Yes!
The films also tolerates under and overexposure much better than ECN2.
All the rolls were mostly exposed at box speed for shadow detail at EI250, but I also over and underexposed some negs.
I would agree with them. Supersalz in Germany, who are offering a new ECN2 processing service, state that the Vision 3 films should be shot at half the advertised speed. I've been meddling quite a bit with ECN2 films lately and the real world differences with C41 are such that ECN2 is not a substitute in my opinion. The negative material is as advanced as anything in color negs, probably even THE most advanced.
Single films are also available. After soaking the backing sloughs off the film into a sticky mess. If you don't like the adverts you can subscibe here and they will disapear. Why can't I process this film at my favorite C-41 lab? It comes off easily. SILBERSALZ35 always includes one True Cinefilm ECN2 processing voucher. That leaves (per my first cup of coffee brain foggy list) contrast difference.
I used labs for the scans, I don’t have a scanner. The extra step to remove the remjet shouldn't be much of a hassle. We will store your negatives for two months. I wonder why. Other films in the Vision lineup are used for such things as copying. Find out how here. Perhaps the Kodak Vision 3 250D 35mm movie film would be equally as good? We close every Friday evening to Saturday evening for Shabbos.
The film tolerates overexposure well, it has a lower contrast and the colour palette is more muted compared to C41 processing. kodak vision3 35mm 50d, 200t, 250d and 500t.
includes 21.4 megapixel hdr scanning. It allows the full EI250 speed and good tolerance for incorrect exposures, it also gave colours that I find more pleasing. Kodak's world-famous Vision 3 Motion Picture films stock is now hand-rolled by The Film Photography Project.
Ultra Fresh and Made in the USA! Particularly Caucasian skin tones are reproduced very poorly. The results were very promising, fine grain, nice colours but the halation on highlights was a problem for me. The backing must be removed in a pre-soak bath of baking soda or ECN2 pre-soak chemical. VISION3 500T's proprietary advanced Dye Layering Technology (DLT) gives you noticeably reduced grain in shadows, so you can push the boundaries of exposure further and still get excellent results.
The scans from both labs had a mild red cast, which could only be removed by slightly adjusting the red curve using Photoshop. The scans from both labs (one with a Fuji the other a Hasslebled scanner) had a similar red cast whether ECN2 or C41 processed, which I easily removed with an adjustment to the red curve in post. Enter your email address to subscribe to this blog and receive notifications of new posts by email. #0907905; Sec. cintel raw scans via optional hdd. - Our film is purchased fresh and direct from Eastman Kodak USA. It became apparent that the speed of EI250 was too high for the film, it does not like underexposure in ECN2. Exposed at EI800 with an 85B filter for exteriors and processed in C41.
I delved into this after being tired of color shifts with cross processing. I bought some 35mm cassettes that had been loaded from a bulk roll for a trial.
The EC2N images do lack colour and for me don’t look as natural as the C41 images.
eval(ez_write_tag([[250,250],'35mmc_com-medrectangle-4','ezslot_11',181,'0','0'])); In C41 chemistry EI250 is correct. I just soak it in warm baking soda solution for a few minutes after the blix. Test results show dramatically decreased picture quality if processed using C-41. Once removed the colours and skin tones were nice.
Store #0906712 Elec. DO NOT BRING THIS FILM to a commercial lab or think you can "slip it through" - it will. Once the Remjet is off the film, normal machine processing can proceed. Hey all. Saw your post. Untouched Kodak VISION3 features unsurpassedimage quality, real-world flexibility, digitalcompatibility and archival stabilitythat you demand. Thanks for writing this,found it very useful. silbersalz From processing to scanning andcolor science: your photos willbenefit from True Cinefilmworkflows. After some research I found only two places you can buy 120 spooled Kodak Vision3 from. I got two 100′ rolls of 500T and 250D recently and have been trying to figure out the best speed to shoot it. Exposed at EI800 with an 85B filter for exteriors and processed in C41. Remjet is a very heavy duty anti-halation backing applied to the movie film to help with the friction caused by the film moving at high speed through a movie camera. A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed.
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