“It was a cool thing to do,” says Rolie. This guy’s crooning.’ [Herbert] said, ‘You’ll get used to it. A year after graduating from high school in 1965, Rolie joined Carlos Santana and others to form the Santana Blues Band, which was later shortened simply to Santana.

Originally called the Santana Blues Band, they quickly dropped the blues part of the name and were soon playing at the city’s Fillmore Auditorium, where promoter Bill Graham, who enjoyed their innovative mix of rock and Latin percussion, took a liking to the band and helped give them a push. Feb 7, 2019 - This Pin was discovered by Maria Day. Love’s Brilliant Landmark ‘Forever Changes’, Baron Wolman, Who Photographed Rock Legends, Dies at 83, ‘Ready Steady Go!’—Britain’s Groundbreaking Rock TV Series Celebrated in New Book, Lulu Rocks New York City—With Love: 2017 Review, ‘Brush With Greatness’: Rock Fans Share Their Stories, Keith Emerson Tribute Concert to Be Released, ‘Ringo’: His 1973 Solo Breakthrough, With a Little Help From You Know Who, Stevie Wonder Performs Hits, New Songs at Detroit Campaign Rally, Beach Boys’ Drive-In Concert: A California Love-In. You can play for yourself and then end up in a garage somewhere going, ‘Boy, if people only knew how good I really am,’ instead of playing for the people that want to hear it.”, Listen to “Swami” by the William Penn Fyve (aka William Penn and His Pals), Rolie’s pre-Santana band. Each of these projects allowed Rolie to explore different sides of his artistry. The couple gave birth to a daughter named Ashley, and a son named Sean. “It took a while to get out.”, Watch Santana perform “Evil Ways” at Woodstock, Related: Our interview with Santana drummer Michael Shrieve, Rolie continued with Santana through the albums Abraxas and Santana III, but although he contributed to the fourth, Caravanserai, he was already thinking of his next move. Rolie contributes organ and vocals to the ensemble shows, singing the Santana hits “Black Magic Woman,” “Evil Ways” and “Everybody’s Everything,” while playing not only on Ringo’s songs (most of which did not have B3 organ in their original versions) but those by the other members. And although Rolie was a core member of Journey for several years starting with its 1973 formation, the band’s commercial peak didn’t take place until the early ’80s, by which time Steve Perry had been handed the lead vocals gig and Rolie had moved on. The notion to record the Elvis hit, Rolie says, came to him when he heard a cover by singer Billy Swan. When he left Journey in 1981 he was responsible for picking his replacement in the band, former Babys keyboardist Jonathan Cain. I think it’s great exploring different styles, but if you’re going from the field we were in, which was basically popular music, to jazz, you’re going from the poker table to the nickel slots, unless you’re just the most enormous jazz player in the world. A second solo effort, Gringo, was released in 1987. That shunning likely kept Journey out of the Rock Hall until they could no longer be ignored. Dressed in costumes not unlike those worn by Paul Revere and the Raiders, they were playing a gig at the Longshoremen’s Hall in San Francisco when Carlos Santana heard them and invited Rolie to join him in a new band he was putting together.

We became a business, like everybody else, but all of a sudden it became this evil thing.

It was totally different, and different is good. “He did ‘Don’t Be Cruel’ slowly. “We’d built a whole following of people on the first three records. “It was only then that I realized how massive this really was, seeing them face to face.” Rolie says. Gregg Rolie and Steve Perry sang co-lead vocals on several Journey songs. Radio Hits in November 1976: More Cowbell! This album featured the song “I Wanna Go Back,” which later became a hit for Eddie Money, and included contributions from Carlos Santana, Peter Wolf, Neal Schon, and Craig Chaquico. The 13-track collection includes new original compositions as well as a remake of the early Journey tune “Look Into the Future” and a radically rearranged cover of Elvis Presley’s “Don’t Be Cruel.” Guests include guitar greats Steve Lukather, a founding member of Toto, and Journey co-founder Neal Schon; and two former Santana members, drummer Michael Shrieve and bassist Alphonso Johnson. All these guys that I played with are fantastic.”, Related: Our review of the reunion album, Santana IV, Of the new songs, Rolie cites “What About Love” as a favorite. “It was starting to fall apart,” he says. On Journey and Look into the Future, he was lead vocalist, and on Next he shared those duties with guitarist Neal Schon. If it was that simple to get to the top of the charts and write singles that people love and want to sing along with, wouldn’t everybody do it?”. “Here’s a song: the bass player would play his part, the guitar does this.

Rolie wasn’t angry with them; in fact, he chuckles as he tells the story. After leaving Journey in 1980, Gregg released several solo albums, including the eponymous Gregg Rolie in 1985. I went, ‘Well, that’s a great idea,’ so I took it a little farther and made it a little more gospel. The band also included Josh Ramos (whose guitar style resembles that of Neal Schon) and Kevin Chalfant (whose voice resembles that of Steve Perry). The Journey Through Time tour saw Rolie, Schon and other musicians reprising music from Journey’s catalog. When we used to have band meetings, our manager Herbie Herbert had a vision and an idea of where he wanted to take it. Jeff has also served on the Nominating Committee of the Rock and Roll Hall of Fame and as a consultant to the Grammys. By 1969 they’d signed with Columbia Records. As a founding member of Santana, Rolie was part of the band’s first wave of success, including an appearance at the Woodstock Music and Art Festival in 1969 and central roles in several hit albums. Gregg Rolie already had nearly a decade behind him in the Bay Area music scene when Journey came into being. Rolie, born June 17, 1947, finds himself busier than ever. Other Works

In 2005, he signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and instruction to children in underserved public schools throughout the U.S.A. “I never understood it.

11K likes. Neal, who I’ve known forever, I asked him the same thing and he was recording something so I sent it to him. Over the following years, Rolie took part in a couple of bands featuring former bandmates—the Storm (with Journey’s Ross Valory and Steve Smith) and Abraxas Pool (with most of the early Santana lineup, minus Carlos Santana). He currently performs with his Gregg Rolie Band. Now, between promoting Sonic Ranch and gearing up for the next All-Starrs outing, he’s going nonstop. Rolie credits his own instincts for his longevity in the music business. I would do it. I was, first of all, honored to be asked, and a little bit scared,” he admits. Journey in 1977 (l. to r.): Gregg Rolie, Ross Valory, Aynsley Dunbar, Neal Schon and Robert Fleischman, From the start, Journey made its way without the support of the rock press—to put it bluntly, many critics truly despised them. Also other data will not be shared with third person. Learn how your comment data is processed.

Gregg Rolie already had nearly a decade behind him in the Bay Area music scene when Journey came into being. Are you sure you got the right guy?’”. The original keyboardist/vocalist for Santana.

The idea was initiated by Schon, and the three were joined in the studio by Michael Shrieve and percussionist Michael Carabello.

I think it’s a great idea.

At the moment though, Rolie is concentrating on Sonic Ranch, his first solo album in 18 years. Your data will be safe!Your e-mail address will not be published. Rolie’s role in those two classic-rock cornerstone bands has earned the musician a rare distinction: he is now a two-time Hall inductee, having first earned the honor in 1998 with Santana and then being called back in 2017 to accept a second time for his part in getting Journey off the ground. “They called it corporate rock,” he says. Their self-titled debut album, which featured Rolie on Hammond B3 organ, piano and lead vocals, was still two weeks away from release when they arrived in Bethel, N.Y. “I remember flying in on the helicopter,” Rolie says about Woodstock, “and looking down. Finally, he says about the latter, “Nobody could argue with me about who it is, or try to take the name.” In his live shows, Rolie played songs associated with both Santana and Journey, as well as new material. Born in Seattle in 1947, he’d moved with his family to Palo Alto, south of San Francisco, during his childhood. A co-founder of that band as well, Rolie sang some of their best-known material: “Black Magic Woman,” “Evil Ways,” “Oye Como Va” and more.

All Rights reserved. He put a solo on it. I connected to it right away and sat down at the piano and it was pretty much a no-brainer.” And as for “Look Into the Future,” the title track of Journey’s 1976 sophomore album was just always a personal favorite of Rolie’s. The album debuted at #5 in Billboard.

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